This essay assumes that thinking the relations between art and politics in the novel Bolor, by Augusto Abelaira, doesn’t mean simply verify the terms in this literary work which refer to politics, but mainly to put in question until what point the form adopted (of a diary written by several hands) is also political, since it permits to the reader to realize the textual surface as a way of distribution of the sensible, in other words, as a democratic space which makes evident the ones who take part in the political life – the citizens – by means of the delimitations of the common.artigo parte do pressuposto de que pensar as relações entre arte e política no romance Bolor, de Augusto Abelaira, não significa simplesmente verificar os termos pr...